無(wú)界西溪茶室，坐落于杭州西溪國(guó)家濕地公園。西溪，占地面積11.5平方公里，這里“曲水彎環(huán)，群山四繞，名園古剎，前后踵接，又多蘆汀沙溆”，是一個(gè)集城市濕地、農(nóng)耕濕地、文化濕地于一體的國(guó)家濕地公園。

　　Unbounded Xixi Tea House is located at the Hangzhou Xixi National Wetland Park. Xixi covers an area of 11.5km2, and here the water is around, and mountains are at four sides, also there are famous parks and old temples, besides there are many reeds and sand bars. All above make the park set city wetlands, rural wetlands and culture wetlands in one.

　　茶室改造前存在著不透光、封閉和建筑老舊等問(wèn)題。設(shè)計(jì)師沈墨和陶建浦在與業(yè)主溝通和對(duì)茶室的了解分析后，他們希望能夠打破傳統(tǒng)，同時(shí)又保留傳統(tǒng)，達(dá)到文化與建筑的共生目的。正如客戶所希望的那樣 —“一個(gè)用風(fēng)景讀客的地方”。

　　Before reformed, the tea house is light-proof, close and old. Designers, Shen Mo and Tao Jianpu communicated with the owner and analyzed the tea house, hoping to break the tradition also keep the tradition, to make culture and the building together prosperous, as the client hoped-one place using scenery to explain guests.

　　設(shè)計(jì)師在保護(hù)傳統(tǒng)柱梁結(jié)構(gòu)的基礎(chǔ)的上，在設(shè)計(jì)做了減法，采用了大落地玻璃，露出建筑本身的骨架，入口處的大玻璃盒子代表了一個(gè)無(wú)形的界限，既將四周景色與室內(nèi)空間相互打通，又增強(qiáng)了采光性與通透性。走入其中，有種虛實(shí)之間交錯(cuò)之感，頗有佛法中“一切有為法，如夢(mèng)幻泡影”的意味。

　　Designers keep traditional bearing wood, to do subtraction to the designing, to adopt big French windows, to expose bones of the building. A big glass box in the entrance means a intangible limit, not only integrating surrounding scenery with indoor space, but also increase lighting and permeability. Walking in the building gives out a interlacing sense between the true and the false, meaning “all behaviors tend to be bubbles”.

　　沿著入口石子道路緩緩深入空間中，盡頭處是一片微型的自然景觀，與室外的景色交相呼應(yīng)。當(dāng)陽(yáng)光穿透玻璃射入空間中，隨著光影的擺動(dòng)，萬(wàn)物似乎擁有了生命，斑駁的樹(shù)影，靜謐的佛像、靈動(dòng)而美妙。此刻時(shí)間被無(wú)限延長(zhǎng)，猶如一場(chǎng)心安氣足的經(jīng)行。

　　Along the rock way into the space, you will find the end is a mini natural scenery echoing with outdoor scenery. When the sunshine goes into the space through glass, with swings of the light and the shadow, all things tend to be alive. Mottled tree shadows, quiet figures of Buddha are flexible and beautiful. At this time, time is extended without limits, like a walk meditation with quiet and abundant mind.

　　公共接待區(qū)域靈感來(lái)自于一個(gè)精美的白色禮盒，環(huán)繞式儲(chǔ)藏柜外部是茶品展示售賣空間，內(nèi)部則是茶品儲(chǔ)藏空間。設(shè)計(jì)師將格子巧妙地劃分成了繁體的“無(wú)”字，在空間中更加凸顯出無(wú)界的品牌文化。

　　The public reception area has its inspiration from a delicate white gift box. Outside the surrounding storage cabinets is tea display and sale space, inside is the tea storage space. Designers have planned the grids into “Wu”in complex font, highlighting the unbounded brand culture in the space.

　　在前廳的另一側(cè)做了一個(gè)山水的景觀，放上一把古椅，一臺(tái)燭燈，頂面懸空著一根來(lái)自周圍樹(shù)木的樹(shù)枝，當(dāng)燈光照射時(shí)，白墻上便展現(xiàn)出曲折蜿蜒的投影，西溪美麗景色在室內(nèi)得到延續(xù)，也是無(wú)界的理念體現(xiàn)。

　　Another side of the front hall is set a mountain and water scenery, with an old chair, one candle lamp, a branch from surrounding trees above, so when the light is on, there will be winding shadows on the white wall. Xixi’s beautiful scenery can be extended in this indoor space, which reflects the unbounded idea.

　　為了讓立面自由，白色的墻面、玻璃面、傳統(tǒng)木柱之間保持著一定距離，像是某種精神上的對(duì)話，產(chǎn)生了距離美。

　　In order to make the facade free, white walls, glass faces, traditional wood pillars have some distances from each other, like communication in spirit, producing distance beauty.

　　庭院兩側(cè)的景觀茶空間由原本的儲(chǔ)物間改造而來(lái)，將原本的空間打通，做了一個(gè)外擴(kuò)的處理，放置一把椅子可以隨時(shí)觀賞室外的風(fēng)景。

　　Scenery tea spaces in both sides of the yard is from the original storage spaces. The original spaces are gotten through, and an external expansion has been made, so putting a chair can see outdoor scenery at any time.

　　茶室中有著一間大型會(huì)議空間，可以在此開(kāi)設(shè)會(huì)議、論壇進(jìn)行交流。品茶觀景，讓會(huì)議變成是一件怡然自得的事情，模糊了規(guī)則的邊界，也能讓思考更加具有效率和意義。

　　In the tea house, there is a big meeting space which can be used for meetings and forums. Appreciating tea and viewing the scenery make a meeting a happy and pleased thing, also the rules’ boundary has been vague to make thinking more efficient and significant.

　　每間茶空間的設(shè)計(jì)根據(jù)不同的景觀環(huán)境量身打造，此處的茶空間被一片竹林包圍，同時(shí)又融入了一點(diǎn)當(dāng)代元素，古與今的無(wú)界對(duì)話，席地而坐，享受在竹林中暢談品茶的樂(lè)趣。

　　Every tea space design is according to different scenery environment. Tea space here is surrounded by bamboos, also integrated with some modern elements, so the old time and the now will have unbounded communication. Sitting at random will make you enjoy talking and tasting tea in a bamboo forest.

　　在空間設(shè)計(jì)中，盡量將畫(huà)面留白，用自然植物作為點(diǎn)綴，一切都來(lái)源于自然，這樣的空間才更加純粹、和諧。

　　In space design, pictures have been tried to keep blank, to use natural plants as decorations. All is from nature, making the space more pure and harmonious.

　　餐廳設(shè)計(jì)概念是把一個(gè)“玻璃盒”置入竹林風(fēng)景中，自然與空間結(jié)合地淋漓盡致。體現(xiàn)出了傳統(tǒng)與現(xiàn)代共生，人建筑與自然共生的理念。

　　A restaurant design idea is to put the “glass box” into the bamboo forest scenery, to make nature combined with the space. So tradition and modern things can be alive together, reflecting building and nature can be alive together.

　　項(xiàng)目名稱：無(wú)界西溪茶室

　　項(xiàng)目地址：杭州西溪

　　項(xiàng)目規(guī)模：800㎡

　　設(shè)計(jì)單位：杭州時(shí)上建筑空間設(shè)計(jì)

　　主案設(shè)計(jì)：沈墨、陶建浦

　　設(shè)計(jì)團(tuán)隊(duì)：崔雪薇、王江華

　　燈光設(shè)計(jì)： 樂(lè)翰照明工程

　　施工團(tuán)隊(duì)：王從旺

　　完工時(shí)間：2019.1

　　項(xiàng)目攝影： 葉松
 

　　Project name: boundless Xixi tea house

　　Project address: Xixi, Hangzhou

　　Project scale:800 ㎡

　　Design firm: Hangzhou Shishang architectural space design

　　Design of main case:Shen Mo,Tao Jianpu

　　Design team:Cui Xuewei, Wang Jianghua

　　Lighting design:Lehan lighting engineering

　　Construction team:Wang Congwang

　　Completion time:2019.1

　　Project photography:Ye Song